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'From Publishers Weekly: The seven stories in this stellar collection from the prolific Oates (Give Me Your Heart) may prompt the reader to turn on all the lights or jump at imagined noises. In the excruciating title tale, a novella subtitled “A Love Story,” an adolescent girl leads two of her friends in the kidnapping of 11-year old Marissa Bantry to enact the ritual sacrifice of the Corn Maiden as performed by the Onigara Indians. Children or childhood traumas play significant roles in “Beersheba,” in which a man’s past catches up to him, and “Nobody Knows My Name,” in which the birth of a sibling turns nine-year-old Jessica’s world upside down. Twins figure in both the eerie “Fossil-Figures” and the harrowing “Death-Cup” with its sly allusions to Edgar Allan Poe’s “William Wilson.” In “A Hole in the Head,” a plastic surgeon succumbs to a patient’s request for an unusual operation with unexpected results. This volume burnishes Oates’s reputation as a master of psychological dread.From Kirkus Reviews: Seven nightmarish tales written over a 15-year period. The first and longest story is the title novella, about Jude Trahern, a precocious and evil eighth-grader who abducts a fellow classmate, Marissa, to enact a ritual human sacrifice. Brilliant, charismatic and severely disturbed, Jude chooses Marissa because of the latter’s status as an outsider, both new to the school and set apart by her intellectual slowness. Jude enlists two of her friends in the elaborately planned ceremony, but their enthusiasm begins to wane as things start to get spookier and it becomes clear that Jude is serious about following through on the ritual. Meanwhile, Marissa’s mother, Leah, becomes frantic about her missing daughter and starts to believe in the guilt of Mikal Zallman, a part-time employee at the school whom Jude has cleverly implicated. The story ends on a jarring and somewhat surreal note as Leah and Mikal develop a romantic attachment. Throughout this collection Oates is fascinated by the idea of doubling, for example in “Death-Cup,” in which Lyle King tries to poison his evil twin Alastor with Amanita mushroom soup. Alastor is the “evil” brother, successful on the outside but unscrupulous within, and Lyle finds out that ultimately they can never be separated. (It’s no coincidence that Lyle is designing a new edition, “with hand-sewn pages and letterpress printing,” of Poe’s “William Wilson.”) Similarly, in “Fossil-Figures,” brothers Edgar and Edward Waldman mirror opposing sides of the self, while in the masterful “Beersheba” womanizer Brad gets his comeuppance at the hands of Stacy Lynn, who at first comes on to him seductively and then exacts a terrible revenge. While the shadows of Poe and Hitchcock loom over these tales, it’s clear that Oates herself is a master at creeping out her readers.Praise for Joyce Carol Oates: "Oates is just a fearless writer ... with her brave heart and her impossibly lush and dead-on imaginative powers." —Los Angeles Times "If the phrase 'woman of letters' existed, Joyce Carol Oates would be, foremost in this country, entitled to it." —John Updike "What keeps us coming back to Oates country is her uncanny gift of making the page a window, with something happening on the other side that we'd swear was life itself." —The New York Times Book Review "Her genius happens to be giant." —The Washington Post Book World "No living American writer echoes the chord of dread plucked by Edgar Allen Poe quite like Joyce Carol Oates." —The Plain Dealer (Cleveland)'